Sommaire
Sous la direction de Ralf Beil et Sonja Feßel
Andreas Gursky. Architecture

Essays

— Ralf Beil
Foreword and Acknowledgments

— Ralf Beil
Just what is it that makes Gursky's photos so différent, so appealing? On Andreas Gursky's pictorial Strategy and the Emblematic Nature of His Architectural Photographs

— Francesca Ferguson
Andreas Gursky and the Urban Age

— Gernot Böhme
Architecture: A Visual Art? On the Relationship between Modern Architecture and Photography

Picture essays

— Peter J. Schneemann
Architecture as Stage. Uni Bochum (University Bochum), 1988

— Hans Rudolf Reust
Composing Pixels: Modernism's Slumber. Paris, Montparnasse, 1993

— Mirjam Schaub
The Periphery of Democracy. Brasilia, Plenary Hall II, 1994

— Elisabeth Bronfen
Emptiness as Event. Prada II, 1997

— Rudolf Schmitz
«Nothing Over 99 Cents Ever» Or, the Consumer Society as Divine Comedy. 99 Cent, 1999

— Aleida Assmann
City of Angels: The Aura of Urban Sprawl. Los Angeles, 1999

— Reinhard Spieler
Global Trade as Archaic Battle Ritual. Chicago Board of Trade II, 1999

— Wolfgang Pehnt
Morse Code from an Unknown Message. Avenue of the Americas, 2001

— Monika Schmitz-Emans
Disappearing in the Visible: Questioning the Individual. São Paulo, Sé, 2002

— Dieter Bartetzko
The Two Faces of the Sublime. Copan, 2002

— Thomas Zaunschirm
The sky over the Garbage Dump. Ohne Titel XIII (Mexiko) (Untitled XIII [Mexico]), 2002

— Sonja Feßel
Laboratory of Power. Stateville, Illinois, 2002

— Alfred Nordmann
The Murmuring of Fullness. Nha Trang, 2004

— Jan Assmann
Squaring the Triangle. Cheops, 2005

— Gernot Böhme
The Intrauterine Paradise. Kamiokande, 2007

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